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Art Exhibitions


As part of its expansion and renovation, LAX has transformed many of its public spaces into art spaces by featuring temporary art exhibitions and installations throughout the airport. Presented in partnership with the City of Los Angeles Department of Cultural Affairs, LAX features 11 exhibition sites located in Terminals 1, 2, 3, 6, 7, and Tom Bradley International Terminal.

Current Exhibitions

Ventanas 
Ventanas, Carolyn Castaño
Photo credit: Panic Studio L.A.

Terminal 1, Baggage Claim 
Ventanas 
By Carolyn Castaño 
(Open to the public)  

Carolyn Castaño’s watercolor paintings invite viewers to imagine or recall the visual transitions they may have experienced during travel. Mixing landscape imagery, abstract patterns, and motifs culled from contemporary and vintage airline graphic design, each painting evokes the experience of looking through a ventana, Spanish for window. This “looking” can take many forms: looking out from inside an airplane as new geographies come into view beyond or below, or peering in at the carefully orchestrated universe of form, color, and logotype to be found within the aircraft one is about to board. This series of paintings expands Castaño’s ongoing interest in the everyday visual vernaculars of home and heritage, be it in Los Angeles or the city centers of Latin America, or in the natural landscape, real or imagined.

  Terminal 2 Departures Atrium Flow and Glimpse-sm
Flow and Glimpse, Barbara Strasen
Photo credit: Panic Studio L.A.

Terminal 2, Departures Atrium 
Flow and Glimpse  
By Barbara Strasen 
(Open to the public)

Flow and Glimpse depicts the rich textures and diversity of Los Angeles, providing a fresh view of the city and its relationship to contemporary life. Situated in the terminal’s atrium, on the publicly accessible side of the security checkpoint, this large-scale installation features 90 lenticular panels, so that the visible images change in response to the location of the viewer, providing an engaging and dynamic experience for travelers as they move through security. Each panel juxtaposes two images – one featuring a flow of textures and the other a detailed and diverse glimpse of L.A. –organized thematically on six walls of the atrium. The lenticular lenses are carefully choreographed, with the texture of the flow images uniting the different groups, while the fleeting glimpse images move along according to theme and context, in a way that suggests a dialogue among them, inviting the viewer to discover connections between seemingly dissimilar images.

We’ve got to cross this great big world somehow  We’ve got to cross this great big world somehow
We’ve got to cross this great big world somehow, Megan Geckler
Photo credit: Panic Studio L.A.

Terminal 3, Departures 
We’ve got to cross this great big world somehow 
By Megan Geckler 
(Open to the public)  

Using 360 strands of hand-dyed diamond braid rope to create a monumental sculptural installation, Megan Geckler’s artwork is the visual result of an architectural and mathematical study of the site’s soaring atrium. Sited at the TSA checkpoint on Departures, the installation enriches the passenger experience by infusing the space with vibrant colors and dramatic shapes. Hundreds of colorful ropes are suspended from the windows and clustered to form a giant “X” on the platforms, suggesting connections between points and people. The “X” shape also references an hourglass and the cycle of time. The span of the ropes also creates a curtain that marks the transitional nature of the space as passengers move from a public space to a restricted one. Geckler hand dyed the rope using twenty different color formulas to achieve a full spectrum color palette that is divided between warm hues on the west side and cool on the east side. This prismatic effect is a nod to the sequence of hues that make up a rainbow, the sun’s pathway across the sky, and the passing of time. The result is a convergence of color that marks a spot and time.

Furniture as Art as Furniture: Studio Furniture of Southern California 
Furniture as Art as Furniture: Studio Furniture of Southern California
Photo credit: Panic Studio L.A.

Terminal 3, Arrivals 
Furniture as Art as Furniture: Studio Furniture of Southern California 
Curated by Stephen Courtney and Harold Greene 
(Open to the public)  

Furniture as Art as Furniture is a juried exhibition comprised of twenty handmade designs, produced either as one-of-a-kind or in limited editions that exemplify the practice known as studio furniture. The exhibition presents some of Southern California’s finest individual furniture makers working with a variety of woods, as well as unexpected materials, to create functional objects while expressing personal narratives, social commentary, and humorous insights.

Water Cities – Los Angeles 
Water Cities – Los Angeles, Luciana Abait
Photo credit: Panic Studio L.A.

Terminal 3, Arrivals 
Water Cities – Los Angeles     
By Luciana Abait 
(Open to the public)  

Water Cities – Los Angeles is a mixed-media photography exhibition by Luciana Abait that examines the relationship between humans and the natural and built environment. Abait altered her nine large-scale aerial photographs of Los Angeles and recreates them in a surreal manner by digitally inserting massive swimming pools and large bodies of water that appear to invade iconic landmarks of the city. Abait presents a transformed view of the city, while encouraging viewers to reflect on the critical environmental issues facing Los Angeles.

Transfiguration 
Transfiguration, Erika Lizée
Photo credit: Panic Studio L.A.

Tom Bradley International Terminal, Customs Hallway, Arrivals 
Transfiguration 
By Erika Lizée 
(On view for ticketed passengers)  

Erika Lizée’s work questions one’s relationship to both the visible and invisible realms. Her installations build from the idea that walls can serve as physical and metaphorical barriers. She imagines the surface of a wall to be a threshold, with a hidden and undefined world existing within. Using illusionistic painting, mysterious and abstract elements appear beneath the wall’s surface, while others emerge from the space into the physical realm of the viewer. Trompe l’oeil and sculptural paintings work in conjunction with actual light and shadow to spark a sense of wonder in the viewer. This creates a transformative experience as one’s perceptions shift with greater understanding of the relationship between artistic materials and exhibition space. The installation serves as a metaphor for the journey of our personal and shared life experiences.

Street Seen 
Street Seen, Marissa Roth
Photo credit: Panic Studio L.A.

Terminal 6, Departures  
Street Seen 
By Marissa Roth 
(Open to the public)  

Street Seen is a series of 28 chromogenic photographic prints by artist Marissa Roth that capture the street-level view of Los Angeles. A native Angeleno, Roth was inspired to get out of her car and photograph the streets of her city as a pedestrian. Roth’s approach resulted in a view of Los Angeles often missed as we drive or fly—literally and figuratively—to our destinations. By documenting street life unfolding at the speed of one’s breath, Roth’s photographs show us the exquisite details of our everyday surroundings hiding in plain sight.

Like Sound Going Sideways 
Like Sound Going Sideways, Timothy Nolan
Photo credit: Panic Studio L.A.

Terminal 7-8, Departures Hallway and Ticketing Lobby 
Like Sound Going Sideways 
By Timothy Nolan 
(Main exhibition is on view for ticketed passengers in the Departures Hallway; Shine On prints on view to the public in the Ticketing Lobby)  

Like Sound Going Sideways features a series of collages and collage-based prints that examine natural phenomena and the intersection of culture and nature. Combining his own photography of unique geological terrain with outdated scientific graphics and Art Deco patterns, artist Tim Nolan’s invented landscapes juxtapose natural and man-made imagery, suggesting ecosystems in transition. The larger works, such as the wall mural and light box on view as part of the main exhibition in the Departures Hallway and the three large-scale prints (Shine On) on view in the Ticketing Lobby, expand the boundaries of the imagery. The results marry Nolan’s interest in abstract painting and Pop Art with a fascination for quantum mechanics and astrophysics. Nolan invites viewers to consider our shifting perspective of the world and our quest for discovery beyond the visible realm.

 

About Los Angeles World Airports Art Program
The mission of the LAWA Art Program is to enhance and humanize the travel experience by providing diverse and memorable art experiences throughout the airport. The Art Program includes temporary exhibitions, permanent installations, and cultural performances. With an emphasis on local and regional artists, the Art Program provides access to an array of contemporary artworks that reflect and celebrate the region’s creative caliber. For additional information, please visit www.lawa.org.

About Los Angeles International Airport (LAX)

LAX is the seventh busiest airport in the world and third in the United States. LAX served more than 74.9 million passengers in 2015. LAX offers 742 daily nonstop flights to 101 cities in the U.S. and 1,273 weekly nonstop flights to 76 cities in 41 countries on 64 commercial air carriers. LAX ranks 14th in the world and fifth in the U.S. in air cargo tonnage processed, with more than 2.1 million tons of air cargo valued at over $101.4 billion. LAX handled 655,564 operations (landings and takeoffs) in 2015.

An economic study based on 2014 operations reported LAX generated 620,610 jobs in Southern California with labor income of $37.3 billion and economic output (business revenues) of more than $126.6 billion. This activity added $6.2 billion to local and state revenues and $8.7 billion in federal tax revenues. The study also reported that LAX’s ongoing capital-improvement program creates an additional 121,640 annual jobs with labor income of $7.6 billion and economic output of $20.3 billion, $966 million in state and local taxes, and $1.6 billion in federal tax revenues.

LAX is part of a system of two Southern California airports – along with Van Nuys general aviation – that are owned and operated by Los Angeles World Airports, a proprietary department of the City of Los Angeles that receives no funding from the City’s general fund.

For more information about LAX, please visit www.lawa.aero/lax or follow on Twitter @flyLAXAirport, on Facebook at www.facebook.com/LAInternationalAirport, and on YouTube at www.YouTube.com/laxairport1. Information about LAX’s ongoing multi-billion-dollar LAX Modernization Program, as well as tips and shortcuts to help navigate LAX during construction, are available at www.LAXisHappening.com.

As a covered entity under Title II of the Americans with Disabilities Act, the City of Los Angeles does not discriminate on the basis of disability and, upon request, will provide reasonable accommodation to ensure equal access to its programs, services, and activities. Alternative formats in large print, braille, audio, and other forms (if possible) will be provided upon request.

High-resolution images available upon request.